Welcome to International Fake Journal Month 2013!

What is IFJM?
Please read the page "What Is IFJM" for details.
Learn the difference between Faux, Fake, and Fake Historical Journals.

2019 IFJM Celebration
IFJM has been suspended indefinitely. Please read the pinned post about this below.

Participants who Post Their Journals
A list of 2018 participants who are posting their fake journals this year will appear near the top of the right side bar of this blog around April 6. Lists of participants who posted their pages in 2010 through 2017 appear lower in the same column. Please pay them a visit and check out their fake journals.

View a Couple of Roz's Past Fake Journals
Roz's 2009 fake journal takes place in an alternate Twin Cites, where disease has killed the human and bird populations. (It ends up being an upbeat tale of friendship.) Watch a video flip through of Roz's 2009 fake journal here.

Read an explanation of Roz's insanely complex 2011 fake journal.

Tips on Keeping a Fake Journal
Click on "tips" in the category cloud.

Remember, "Life's so short, why live only one?"

Tuesday, April 19, 2016

The April First Entry in My 2016 Fake Journal

The finished April 1, 2016 entry.
While I was able to start my fake journal for 2016 on April 1, and continue it, I’ve yet to post about it. Life has been very packed. Finding time to squeeze the project in has been goal one.

Click on any image to see an enlargement.

Today I’d like to start posting the images from the project. I’ve been torn as to whether I should post explanations about my pieces here or on my regular blog—by explanations I mean some step-by-step process discussion. I’m still not sure and at this point I simply want to get some posts up. I think there will be a little bit here and a little bit on my regular blog. We’ll see.

Keeping with this year’s theme of “Shift in Place” and my suggestion that people not do any prep, or do minimal prep (take stock of what supplies they have on hand for example) I waited to jump in on April 1. I did buy and cut boards and I knew my character would be working mostly with pencil and watercolor on cold press watercolor board.

Stage 1: the background
with the pencil sketch clearly visible.
We are now 19 days into the project and frankly I still can’t tell you much about my character. I didn’t shift a whole lot from myself. She has similar interests—particularly in sketching portraits (people or animals). 

What I can tell you is different is that she is good at setting time aside for painting in her life. The project is about taking time. I think I needed that in my life right now.

This brings up a lot of discomfort for me. I like to work in the bits of time I can find. I push myself too hard. I don’t make time for projects that require a lot of extended work because I’m too busy with other things (as we all are). But in recent months my attitudes have been shifting as I look at how I’ll be spending my free time going forward. And also as I look at how teaching online is working with the rest of my life. 

Stage 2: Light Washes of Watercolor
and some background adjustments.
Knowing the why or how of something doesn’t always lessen the discomfort. The first week of this project I was pretty grumpy. I think that came from the realization that there wasn’t enough time in the world to give me the time I needed or WANTED to spend on the project I wanted to do. That made me grumpy.

But Dick pointed out I’m always grumpy at first, until I start to settle into the character, to hear the character in any odd moments. Then things start to feel more “normal” and I grumble less. I even get excited about various pieces. Right now in week 3 territory there’s the inevitable shifting of boundaries and testing whether something needs to evolve, we’ll see how that goes.

Stage 3: I start to put in light
washes of watercolor.
I laugh about the early weeks now. But I still don’t know this character at all because she doesn’t keep a journal like I do, she simply paints. She likes to play with space, and she is a really big fan of masking tape and frisket.

I know I struggled a couple days over whether to use ink or not but then I realized when my friend Tom came over to sit for a portrait for this project that there was no question that my character would have used the PPBP with watercolor because she uses what’s efficient and works to the scale she wants to do and the time frame she has. So except for the fact she sometimes uses pencil and that she glazes and glazes and glazes, we aren’t that different.

We’ll see how it all pans out. 
Stage 4: I have to do something about
the background color in the hair
so I use some white gouache.

In this post I’ve started with the final image which is Derwent Drawing Terra Cotta pencil on Arches Cold Press watercolor board, with watercolor, and then corrections in that Terra Cotta pencil. (The light blue in the image is Montana Acrylic Marker.)

I thought you might enjoy seeing the steps as I moved along.

The REAL ROZ is a bit perturbed at how the likeness got lost from the pencil to the painting. And so my editing eye had to have a little chat with her editing eye, and so it goes. This will need to be an ongoing discussion.

Stage 5: More glazes.
What follows are the remaining stages that I took photos of. I wasn't great at stopping at set points to take a photo. I just took them when I remembered. 

I did realize that working on painted backgrounds as I did in my regular journals wasn't going to work for this project as it created too many issues with the watercolor. I have been more careful going forward. 

The images show a color shift because I didn't have the best of lighting conditions to shoot them under. The final image, appearing at the top of this column is an accurate scan.

I'm unclear why Blogger is arranging images with the text the way it is, but I don't use this blog enough to know the ins and outs. I hope you'll bear with me.

Stage 6: the final stage
before I added
by sketch materials
(collage) and
did drew in the notes.


Joan Tavolott said...

Roz, I love all the progress steps...so glad you included them. The portrait looks great. I know how family sort of puts a crimp in the process of creating. I've been going thru health issues with my FIL and we are spending a lot of time at his place "pop sitting." He does sleep a lot so I bring along my sketchbook and computer with my references and work while he naps. Luckily I can stop at almost any stage if I need to. I'm glad you became less grumpy as the days went along. lol I think we all often need an adjustment period.

Roz Stendahl said...

Thanks Joan. I'm glad you liked it. I really liked the pencil sketch more than the finished piece but the point was to work on so my character did. Maybe I'll learn some patience!

I'm sorry to hear your FIL is having health problems but I'm glad that you can sketch while he naps. It's a great way to get some practice in.

I need an adjustment period to my life right now.

Sparrow Girl said...

Thanks for posting the steps to this. Your IFJM entries are fabulous, as always and I love looking at them. :-)
(I need to post mine onto a blog and get you the link...)


Margaret McCarthy Hunt said...

Just a fabulous portrait. Awesome!!

Roz Stendahl said...

Evie, have you posted your IFJM pieces yet? And sent me a link? If you have I've missed it and please send again—it's been crazy here with eldercare emergencies.

Roz Stendahl said...

Thanks Margaret, I'm glad you enjoyed it. That background, fine for gouache, gave my characters fits with watercolor!!! First day baptism of fire.