Welcome to International Fake Journal Month 2013!

What is IFJM?
Please read the page "What Is IFJM" for details.
Learn the difference between Faux, Fake, and Fake Historical Journals.

2019 IFJM Celebration
IFJM has been suspended indefinitely. Please read the pinned post about this below.

Participants who Post Their Journals
A list of 2018 participants who are posting their fake journals this year will appear near the top of the right side bar of this blog around April 6. Lists of participants who posted their pages in 2010 through 2017 appear lower in the same column. Please pay them a visit and check out their fake journals.

View a Couple of Roz's Past Fake Journals
Roz's 2009 fake journal takes place in an alternate Twin Cites, where disease has killed the human and bird populations. (It ends up being an upbeat tale of friendship.) Watch a video flip through of Roz's 2009 fake journal here.

Read an explanation of Roz's insanely complex 2011 fake journal.

Tips on Keeping a Fake Journal
Click on "tips" in the category cloud.

Remember, "Life's so short, why live only one?"


Showing posts with label details matter. Show all posts
Showing posts with label details matter. Show all posts

Tuesday, February 28, 2017

Details Matter—International Fake Journal Month 2017

Welcome to IFJM 2017 Preparations!

If you don't prepare before the April 1 start date then SPOILER ALERT don't read past this sentence. I mean that, because I am about to write about the tagline and what it means.

Of course you've probably already seen the rooster logo for this year's event, but you don't know what it means…

Details Matter

The tagline for this year's celebration in many ways is self-evident. Details matter. Details in an image, details in text. Every little thing we notice is a detail. And it all matters.

First a Bit of Background Information

Public participation in this project started around 2001 when some of my students learned how I spent my time during the month of April (every year).

In 2009 I decided that there was enough interest to start blogging about my fake journal process and International Fake Journal Month.

Since then lots of people have participated. Many have returned for each celebration. Some dip may dip a journaling toe in from time to time.

Two of the things I noticed over all this time are
1. People don't pay attention to my strenuous suggestion that they not attempt an historical fake journal.

2. People get hung up on creating a story.

There's not much I can do about item one except to say, "Go read item one above again, and realize I mean it for your own good." People who attempt to write an historical fake journal end up doing piles of research, bury themselves under research, and become overwhelmed and stop before April is over. 

Even if they manage to finish the process leaves a bad taste in their mouths because in hindsight they see (or someone points out to them) the historical anachronisms of language, art style, social norms, dress code, and art material availability.

I studied the Victorian period in graduate school and I'm daily grateful that I don't have to worry about all the layers of clothing, the meaning of fan movements, and who the heck is standing or sitting in my presence in relation to my gender, age, and station in life. And that's just the tip of the iceberg. I don't want to have to imagine my character in those situations and making time to write present moment journal entries. And even worse, I don't want to have to sort through all that stuff and decide what to include in an entry because would my character really comment on it all anyway? It's the little things in historicals that trip you up!

Writing journal entries at the present moment is a key component to IFJM. So if your character is saying something at 4:15 p.m. it needs to be 4:15 p.m. when you sit down. Keeping track of an historical character's actions with that specificity would send me running from the room.

You may recall I frequently urge you to pick someone who is somewhat similar to your real self—just so you can manage these types of nuances. It's very easy for us to imagine what a contemporary would have for a daily schedule.

I always suggest to people set on writing something set in the past to hold on to their great idea and character and go over to National Novel Writing Month in November. If that's your goal for this year I suggest exactly that to you.

Item two on my list is a bit more complicated. People see my fake journals and notice that often there is a narrative thread, or even that the chronology of the entries has a specific serendipity.

This is NOT A REQUIREMENT of IFJM. It's not even recommended.

In fact it's simply an artifact of how I live my life. I think chronologically (even when I spilt that chronology in complex ways) and I am devoted to the narrative thread. I believe that people tell stories about themselves all the time—to themselves and to others.

But as a life-long journal keeper I know that our journals are not clear narrative lines. It's only after decades that you can really see the narrative coming through. 

The exception might be a travel journal as that journal has a specific beginning and ending date.

The point of IFJM, however is to create a fake journal, not a narrative document. And because many people try to create a narrative they end up getting stuck or overwhelmed, don't finish the project, and feel defeated.

The point of IFJM is to create a fake journal and not a narrative document—because you are working on creative skills not fiction writing skills.

IFJM is supposed to be easy. (Maybe not easy breezy—because you do need to show up and put yourself in your character's mind space and create something visual or written or both.)

IFJM is most of all set up to be doable.

If you think about who your character is (write a little profile about all his likes, dislikes, etc. before April starts. Include details about where he works, what he eats, if he cooks, how he dresses, etc.) you will be able to sit down each day in April, put that person "on." Look where he would be in his day. Mentally shift there yourself, and create something in 15 minutes. Put the date and time on it, and reenter your own life.

That's all it takes. You can of course spend more time than that. Maybe you want to do a finished color pencil drawing and have set aside an hour a day—OK that's not going to happen in 15 minutes.

But the important thing is to set a small amount of time aside and get it down every day. That's how the most benefit is derived from the project. That completed 30-day journal will give you the most satisfaction at the end, if you meet your intention to enter your character's mind each and every day. It's the kind of satisfaction that will propel you into other projects that require stamina and daily practice.

That commitment and result will also help you with the many internal critic issues I bring up in the pages of this blog. Dealing with the internal critic is one of the reasons I went public with IFJM in the first place. I realized, by listening to students who didn't work on longer term projects that they were being held back. Here was something they could do that side stepped the internal critic. 

OK, So Why Is "Details Matter" the Tagline and Theme for IFJM 2017?

I want to encourage as many people as possible to participate in IFJM. I want to them to understand it can be simple (don't let your internal critic encourage you to over think it), and from that simplicity great creative benefits can be derived.

I want them to realize the process is fun and doesn't need a lot of planning or calculating or plotting etc.

But I want them also to do real work, oops I mean PLAY, in which they learn new skills or hone existing skills that will improve their real journaling as well as their real creative lives.

The tagline/themes are a way to give participants a specific way to stretch. 

This year, I selected this tagline/theme because I hope that if people see the emphasis is not on a "finished narrative piece" they will be more inclined to jump in and participate, have fun, and end up with a journal full of possibilities they can take back into their real lives.

Think about what attracts you to the journals you might have read online or in the library. You might love the artwork, that's first to catch your eye. But ultimately your enthusiasm for someone's work comes from seeing how the journal captures that person's life.

That capture takes place through details. These can be a keen eye that illustrates the nature of light, the nuance of humanity, the delicacy and strength of buildings—all through the details they observe and deem important. Or these details can be the specifics of all those observations captured in the text the journal keeper writes next to the drawings.

Details Matter.

It's really that simple.

If you make entries while in your character's head space and include the smells, sounds, sights, and tastes that character experiences you'll have a document that weighs in as more authentic. Additionally the details you decide to include or deliberately leave out tell the reader of that journal something about that person. (This is a lesson you can apply to your own life.)

Why do they make these choices? These omissions? Inclusions? You can't very well write as someone who formulates perfumes for a living and not constantly refer to the odors your character encounters throughout the day. Or if you do what does that tell you about your character?

By practicing how your character focuses his intention you practice making intentional choices for yourself.

Details Matter.

And details are also fairly easy to conjure up. So the price of playing is low. Which is another goal I have about IFJM.

My Hope for All Participants of IFJM 2017

This year I hope is the year you jump off the fence and join in IFJM. Or the year you return, whether or not you've completed a month before. 

I hope you come back and create an approach that allows you to see how details really do matter in our creative lives. 

We need details on the page, whether written or visually observed.

We need details because only when we have details can creation take place. Only with details down on paper can we begin the real work of editing and shaping those details into art. 

Think about this. Your resistance, your internal critic, your own simple sense of "I don't have time to be creative today," will try to talk you out of this simple truth:

Details Matter.

Go for it.

Life's so short, why live only one?


Note:  Long-time participant Dana Burrell just pointed out to me in a comment that "Details Matter" was indeed the 2012 tagline, because she has the Chihuahua Button to prove it. (Mine are all gone.)
I guess I have dementia coming on—or at best lack of sleep! I also decided, after hearing from Dana, that I'm going to trust my gut. This tagline has been rattling around in my brain and I always believe there is a creative purpose to my brain rattling. Also I really, really want to make the point that it is details that matter and not a narrative thread, so that newbies or returning participants who stress about doing something that has a narrative can RELAX and just focus on the details of what their character is seeing and doing and sketching, or whatever. Because it's that experience of capturing the details in their character's journal which will help participants most when they return to their real lives and their real journals. Have fun with it!

Need Tips To Get Started? Please go to the category list and find "Tips" but also read the post "What is IFJM?" A link appears always at the top of the blog page if you forget how to get back to this post. Need some help thinking about your character, selecting a book, selecting a medium in which to work? The category list will help you with that too.



Sunday, April 1, 2012

International Fake Journal Month 2012 Starts Today: Details Matter

By the time you read this post many of you may have already completed the first entry in your 2012 fake journal. Congratulations! Keep going.

For those of you who haven't started yet, jump in. You don't have to journal every day (though it is most helpful to the process of discovery if you do), so sitting on the fence has not kept you out of the running yet.

If you would like to go public with your fake journal please read the 2012 Contest Rules here. You'll also see a photo of the prize in that post.

Every year I make buttons for this event. The 2012 button is now here and you can see it at the top of the right-hand column of this blog. It's a little one-eyed chihuahua with the slogan "Details Matter."

If you are participating this year I'd like to you take a moment to think about that slogan. The best fake anything is convincing because of the details it contains. But a pile of details is also the easiest way to spot a fake.

Details need to be artfully integrated into the whole. They need to arise naturally in the course of events.

In your fake journal you are working in the first person—you are the writer. To suddenly interject details that your writer would take for granted and not need to note in the normal course of his or her life will bring an air of falseness to your fake journal. (Of course if your journal's author has a brain disfunction then your approach is going to be different, perhaps.)

In 2009 my character was going to be dealing with a lot of new people and they were arranged in groups so she took a moment to write down their names and relationships on an early page of that journal. (It was really helpful to me and I wanted that in the journal so that 10 years from now I'd understand what was going on.) But if she had not just arrived in this place it would not have been normal for her to have done that. I would have had to discover a more natural way to include that information.

In other posts containing tips on how to create your fake journal I recommend beginning in medias res—just jumping in. Today when I work in my real journal I'm not going to spend 30 minutes writing a backstory of my life and habits. I'm going to jump right in and start journaling my life as it is this minute. Your character needs to do the same thing. If there is backstory that needs to be explored I have to find a way to insert that into the pages in a natural way, so that it gradually unfolds.

This is true even if your character is just starting a trip for instance. He isn't going to spew out backstory bits of information, he's just going to sit in the airport lounge and sketch and comment on the people around him. He may, if he's so inclined and it's within his character, start writing notes about things he forgot, or bemoan the fact that he already misses his dog Tiny and doesn't know how he'll cope with being away for 4 weeks. But he won't just come out and say those things—there's a difference. Part of the fact that details matter is that how they are released also matters.


This is a crucial part of doing a fake journal—and it is also one of the aspects that is the most fun.

If working with details like this is new to you I recommend that you take a moment to write out a backstory page or two about your character OUTSIDE of your fake journal. Put in the names of the people he or she normally deals with and what relationship they have to the character—for instance "Bill: the spouse." You don't want her to suddenly be sleeping with Jim on page 6 of your journal, unless of course that's what her character is doing.

All of these notes on backstory and character need to be outside of your fake journal because they are not really part of that journal. You can keep them in a little notebook or on loose slips of paper that you tuck into the back pocket of your fake journal so that you have it all together. But notes like that would not be anything the author of your fake journal would ever make in the journal. The journal is also an "artifact"—keep that in mind.

It is also completely fine to just jump in without any backstory and let the page entries over the month explain the character to you.

But again, there won't be a spewing of unnatural notes on the pages.

You might even find out that at the end of the process you learn a lot about what your character thinks of one or two people and not much about the character. (Actually you've just learned a lot about the character because of how he views others, but, well you get the idea.)

If you really want some concrete fact about your character to appear in your journal you're going to have to come up with a way to get it there. Perhaps the easiest way is to have him either take offense at or be pleased with something someone did or said to him. For instance he might write, "I was totally unprepared for Mary's screaming fit when I explained my reasons for firing her. Given the circumstances I think my comment on her review that she was unstable was justified." Or "I was touched by Mary's gift of a pie. Her note telling me that my kindness to her family at this time was deeply appreciated meant a lot." Or you can top that by including Mary's note as ephemera—and have fun writing in a different hand!

That's all pretty rudimentary but I think you can see what I'm getting at.

Embrace the details of your fake journal author's life. What he sees and how he sees it will be important, not just in creating a successful fake, but in helping you stretch your own observational powers.

Have a great 2012 IFJM. I look forward to hearing from you.