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This weekend I'll be compiling a list of people who are publicly posting their fake journal pages on their own blog, website, or Flickr account. Even if you aren't entering any of the prize drawings, if you are posting your images and would like to be included in this list, please send me an email at email@example.com. Include a link of course. (If you are entered in the contests and have already sent me your information there's no need to repeat it.)
Despite the scanning clarity you still can't read the page, and since I'm not doing explanations with this journal (more on that another day) I am typing the text out below.
10:22 p.m. Can George be a viable character? Can I find his shape under all that fluffy hair? Does a one-eyed dog bring too heavy a symbolism? Can I get his shape in movement? Are there too many dogs. Not enough dogs?
I went over to Wet Paint this afternoon and met the oddest person…potentially the oddest: Roz Stendahl (found out she's a graphic designer). She was over in a corner by the paper counter chatting with Tim who works there—I've seen him before. As near as I could make out they were talking about Anthony Mann Westerns. Who does that? She laughs quite a lot. She is rather enamoured of buddy films, which is where the conversation edged. They were also talking about the Kimberly 9xxB pencil. I didn't know about it. Tim had some lovely zoo drawings he'd done with it. Soft, textured tones, but not horribly smudgy. I bought a couple (tested them out sketch[ing] George.[)] A bit stiff and scratchy but it really keeps its point.
I bumped into her again near the Schmincke pan watercolors. Turns out she also likes Schmincke gouache—and dogs. We talked for a long while and since she wasn't totally irritating and because she had an interesting nose (large) I asked if I could paint her portrait. She said I could if I could also sketch her in my sketchbook (she assumed I kept one because I had a new one of these in my hands). She has some sort of project: Project Journal Infiltration. She wants people to sketch her from life in their journals.
Now she was sounding a bit like a nut job, so I started to back up and said I'd probably only do studies from photos in my sketchbook. But I need to take photos of her and have a sitting.
When she started asking me questions about my painting and art it turned out that she has read both books by Rayde and Seetre. I meet so few pepole who have done both.
Blue lettering: Swapping "I" for "me" does Oprah cringe when she sees it later?